Emmet Cohen Trio: A Spectacular Jazz Story
Keyboard Days - Music under your skin!
A piece by the Emmet Cohen Trio might begin with a stride rhythm from the 1920s, shift into bebop, and soon after settle into free improvisation. Yet it never sounds like a showcase of different jazz styles. Emmet Cohen and his friends Joey Ranieri and Joe Farnsworth take the history of this music as their starting point and decide on stage where it will lead them that evening.
Cohen was born in Miami in 1990 and was already sitting at the piano at the age of three. He studied at the University of Miami and later at the Manhattan School of Music. In 2019, he won the American Pianists Awards, and in 2025, readers of *DownBeat* magazine voted him Pianist of the Year. Yet his technique is rarely the sole focus of his playing. What matters most is what happens between the musicians.
This interest in musical exchange runs through all of Cohen’s work. For his “Masters Legacy Series,” he performed with greats such as drummer Jimmy Cobb, bassist Ron Carter, and saxophonists Benny Golson and George Coleman. For him, it was about more than just making recordings together. He wanted to capture how jazz is passed down from one generation to the next: through conversations, through playing together, and through things you won’t find in any textbook.
During the pandemic, Cohen brought this idea into his living room in Harlem. Together with his trio, he launched the weekly online concert series “Live From Emmet’s Place.” Guests included both seasoned musicians and up-and-coming artists, such as Christian McBride, Joshua Redman, and Samara Joy. The small living-room series grew into a format with more than 100 million views. Despite the professional production, the atmosphere remained relaxed: it felt as though you were sitting at the table during a New York jam session.
On stage, too, the trio thrives on this intimacy. Cohen plays with a confident swing and a keen sense for unexpected twists. His left hand drives the music forward, while his right hand picks up melodies, breaks them down, and reassembles them. The bass and drums provide more than just a foundation. They intervene, insert pauses, or steer a piece in a different direction. Thus, a ballad suddenly becomes a dense groove, and a fast run turns into a quiet moment.
On Easter Saturday at the Tastentage, this music finds the perfect setting. Up close, you can see just how attentively the three musicians respond to one another—and how little this jazz can be predetermined.
Preise
Ohne Ermässigung:
CHF 65.- Sitzplatz unnummeriert
Gästekarte (Klosters, Davos):
CHF 63.- Sitzplatz unnummeriert
Mitglied (KgK/KPD):
CHF 60.- Sitzplatz unnummeriert
Kind (bis 18 J.):
CHF 45.- Sitzplatz unnummeriert
Veranstalter
TASTENTAGE / Kulturgesellschaft Klosters
Landstrasse 173
7250 Klosters
Switzerland
Veranstaltungsort
Kulturhuus Klosters
Landstrasse 173
7250 Klosters
Switzerland